Satyajit Ray

Satyajit Ray, an Indian filmmaker, and among the dozen or so great masters of world cinema, is known for his humanistic approach to cinema. He made his films in Bengali, a language spoken in the eastern state of India - West Bengal. And yet, his films are of universal interest. They are about things that make up the human race - relationships, emotions, struggle, conflicts, joys and sorrows.

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Jana Aranya

The film tells the story of the middle-class people in India. In spite of being educated they fail to get any job even after trying all the stones. It gives birth to ultimate hopelessness. Somenath represents that particular part of the society. Finally he becomes a middleman after sacrificing his moral values.

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Pathar Panchali

Pather Panchali gives us the picture of poor families living in Indian villages. The young children can’t get even little things they cherish due to extreme poverty. In spite of that life goes on naturally with little things of wonder like discovering the railway line over the green field.

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Parash Pathar

Paresh Chandra Dutt (Tulsi Chakrabarti), a middle-class bank clerk in Kolkata, attends a charity match on a rainy day rather reluctantly. At Curzon Park (modern-day Surendranath Park), where the match is apparently to be held, he finds a small, round stone. Thinking it is a marble, he gives it to his nephew. The child discovers that it turns metal into gold

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Mohanagar

This film deals with the usual middle class family crises. It upholds the inner struggle between conservative thinking and necessity of going out the door to earn and help the family for female members.

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